art

Skaadi Returns!

| Rolo

After a week of absolute manic panic, I handed in the Fat Lass Preserves Project, which, to me went really well and I am happy enough with the final outcome. I have finally gotten back to doing the project I really enjoy doing, the Skaadi Project. Unsurprisingly, my fat lass design didn’t get picked by the company owner, which to be quite honest, doesn’t bother me because it was the first time I have ever attempted to draw and finish a larger person, so it was always going to be a learning curve, yet I am definitely feeling more confident about drawing larger characters again in the future and also in my ability to create plus size characters of my own.   

  • Initial plus-size superhero sketch.
  • Developed version of my plus-size superhero sketch.
  • Final version of the Fat Lass superhero

This week I have focused on digitising one of my dynamic Skaadi sketches to put on to an A2 development board that we have been asked to create as part of our final outcomes. I sketched out a variety of character poses last week during the fat lass project; they were really rough and sketchy and didn’t really look like Skaadi at all. To rectify this, I scanned the sketches on to a computer and opened them in Adobe Illustrator, I then used the pen and pencil tools to trace over the line work, while slightly changing the proportions of the Skaadi sketches to fit how I see Skaadi in my minds-eye. Once I had the line work I proceeded to colour Skaadi in Illustrator using the paintbrush tool, I decided to focus on colouring the dynamic pose because I am really happy with the proportions and I am considering using the dynamic pose on my final comic panel. I took photos of my girlfriend to use as reference for each of thew poses because I am still getting used to drawing humanoid characters and having first hand reference really helps me figure out the proportions of my characters.

  • Dynamic pose Reference
  • Skaadi Dynamic Sketch
  • Skaadi Illustrator linework
  • Skaadi Illustrator colour
Dynamic Skaadi Process

I found colouring Skaadi with the paintbrush tool very awkward and fiddly, it was extremely time consuming to just create a basic fill layer, whereas I know that in photoshop, it is possible to fill entire areas with simply one click. It wasn’t until today (Thursday) that I found out from my tutor that there is a much easier way to fill colour in illustrator and also that we don’t actually have to complete the whole design in Illustrator, I was under the impression that it was an Illustrator project based on the content of the computer sessions so far. I guess I could have found out differently earlier if I had found the confidence to outwardly ask for help. Nevertheless, I will be using Photoshop to colour my designs in the future from now on and I will keep to Illustrator for the linework. I’ll probably take the dynamic Skaadi pose over to Photoshop as well because, while I am happy with the pose, proportions and the colour choices I have made, I am just not satisfied with her face and she looks rather flat, I feel as if it will be a lot easier to add highlights and shadows in Photoshop.

Overall, I am rather happy with my progress on the project so far, as well as how I have chosen to manage my time, especially without the support of my tutors, having been on a reading week.  I definitely need to work on my confidence and anxiety, I should ask for help and information when I need it instead of just struggling unnecessarily for ages. I am so pleased to be working on the Skaadi project now and my character is finally starting to come take some sort of shape, I’m aware that time is running out to do this project but now that I know we can use Photoshop as well as Illustrator, I am fairly confident that things are only going to get better from here.

Fat Lass Preserves

| Rolo

This week came as a bit of a shock to me, after focusing on developing my personal comic project for so long now and with November quickly approaching, we have been thrown completely off the tracks with a new project that is due by Monday. The tutors did mention that we would be given a live brief at some point, but I didn’t think it would happen this quickly or that we would have so little time to do it. The brief we have been given is to redesign a confident, plus size superhero that will become the logo for a local company called ‘Fat Lass Preserves’ that sells jams, chutneys and other preserves. We have been asked to do this because the image that the owner of the company is currently using is technically protected by copyright as it depicts a large version of Wonder Woman which she isn’t really allowed to use. One person from the class will have their logo chosen, receive money for designing the logo and it will be featured on local TV, so while this project temporarily throws a spanner into the works of my other project, it is a great opportunity.

Fat Lass Preserves Current Logo: Deane, B. (2019). Artisan preserves with a modern twist. [online] Fat Lass Preserves. Available at: https://fatlasspreserves.co.uk/ [Accessed 27 Sep. 2019].

Nevertheless, I am finding it extremely difficult to complete this project because I am so invested in the ongoing personal project and find it slightly challenging to just jump from one project to another and back, however, I know that this will provide me with valuable experience for when I become a professional Illustrator.  As well as this, I am still developing my ability to draw humanoid characters and designing a plus size character creates a new set of challenges for me, such as, the muscle definition is not as visible on plus size characters which makes it more difficult to know where each muscular element should be. So far, I have primarily been using anatomy books as reference for human proportions which don’t necessarily focus on the proportions of plus size people, who often have different proportions to the average human being.   It is because of these things that I have never really tried to draw a plus size humanoid character thus far, I am however looking forward to the challenge in the hope that it will help me to develop my illustration practice further. While I have struggled with the transition from one project to another, I know that this project is good training for real world scenarios, because when I am a professional Illustrator, I will rarely get to choose what kind of character I design and I’ll also probably have a short timeframe to complete any project that is given to me, as well as multiple ongoing project at once.  This project is providing me with a dose of reality and should help me get a better idea of what it will be like to be a professional illustrator in the future.

  • Fat Lass Preserves Pose 1
  • Costume Concept
  • Fat Lass Preserves Pose 2

So far, I have attempted to draw a confident fat female superhero in 3 different poses, including the pose that the commissioner really likes, and so far, all of which I feel need improvement.  I researched the company to get an idea of what their ethics were and what kind of imagery and colours I should use for the costume and I have come up with a pretty solid idea of what I want the finished design to look like, I am just finding it unbelievably difficult to turn that idea into reality. It is currently Thursday, and I have until Monday to finish this. Help.

Fat Lass Preserves Pose 3

Things are finally happening!

| Rolo

This week we finally began to develop our summer comic projects even further, we were told that the final outcome of this project would be a fully finished singular comic panel that showcases the main character in a scene from our story. This is going to be a lot easier than completing the whole comic by November so I am rather happy with this, the comic will be finished during another project at a later date.

The main focus of this week was facial expressions, continuing on from the expression work given to us during the first Illustrator session, we were handed an expression sheet that contained 25 boxes and the names of 25 different expressions that we needed to draw. The purpose of this exercise was to make us think about how to draw different expressions that we may not have done before but may need when it comes to drawing our characters and comics. I wasn’t initially very pleased with this task because I really wanted to focus on improving the design of my characters and also develop the environment that my comic would be set in, I’ve had the idea to show Skaadi either in the middle of the forest fighting a demon, or to show her standing guard in the middle of a blasted heath, protecting what little forest remains; the fire demons and light elves having already destroyed  swathes of her homeland. However, after a while I began to realise the importance of this task because as a comic illustrator, I will have to express the emotions of characters that I draw through recognisable facial expressions that readers will be able to understand. I can’t just create emotionless characters that never show how they feel; I have to be real about this. I definitely found this task quite daunting and difficult when I started it as I am not used to drawing faces and I am certainly not used to expressing emotions through faces. To make it a bit easier we were asked to take selfies of ourselves making the facial expressions that we were asked to draw so that we had accurate reference to draw from; to be perfectly honest I found the prospect of this even more daunting than the drawing itself, I never take selfies! And I won’t be posting them!

 I tried to do as much of the sheet as I could using reference from the internet and memories of when I have seen people use these expressions. Ultimately I gave up on the sheet and talked to one of my tutors, Sarah, instead, she suggested that I focus on 3 main scenarios that Skaadi would likely face and draw out how she would react to them, this idea seemed a lot more favourable than drawing 25 expressions so this is what I did. I managed to get around taking selfies of myself by getting my girlfriend to model 3 expressions that Skaadi would make during the three main scenarios that I came up with. Once I had the reference imagery, I draw out Skaadi with the expressions, changing the design of her face as I went along.

  • Skaadi;s Demon Face
  • Skaadi Inquisitive Expression
  • Solemn Skaadi
Skaadi Expressions

I found it rather difficult to add light and shadow effectively to show depth in my characters faces so I decided to look at how other comic illustrators use light and shadow in their work. My main inspiration for the redesign of Skaadi’s face came from the comic series Saga; I gave her a much sharper face, more expressive eyes and changed her hair so that it looked a bit more realistic than before. The outcome of this redesign was a much more comic-like character in a style that I was finally happy with, I have been trying to find a comic style for a long time and finally managed to achieve one that I was happy with.

Saga Art by Fiona Staples

I am extremely happy with how I am progressing on this course so far and I hope that I am able to keep this up in the future. I am so pleased with myself for drawing Skaadi in a style that I am happy with and one that I would use in comics any day. There are still some tweaks needed to the style, it’s not exactly refined yet, or coloured, but oh my god I have something that I can work with. From here on I will developing the newfound comic style even further and refining it so that it will eventually be something that I am proud of and could possibly use in other comics in the future.

Week One, The Return

| Rolo

I have recently finished my first week back at university after taking a year out in London and as I mentioned in my last post, I have been given 8 weeks to fully realise the project that was set to me during the summer. I am so relieved that we have been given this much time to do it because I really want to do the character of Skaadi justice and finally develop and finish a comic which is something that I have hoped to do for years. This week was a lot different to what I thought it would be, I had fully expected to immediately be thrown back into chaos, that I would have to start fully realising my character, story and finish the entire comic from the get go, this was not the case however, instead we did some peculiar group tasks and a refresher session on how to use Illustrator, which is something that I found rather useful as I hadn’t used it that much during my time away. The tutors also came around to have a look at what we had achieved over the summer and to offer advice on where to take the project next, this was also very useful as I did have some doubts about what I had done and I wasn’t entirely happy with the designs of my characters as they all seemed to be drawn in different styles, my bad, really. After speaking with my tutors, I had a much clearer idea of what I was going to do with my comic and agreed that I needed to try and stick to one style.

Overall I am rather surprised and also happy about being back, the project side of things hasn’t been half as stressful as I expected it to be (so far) and it is nice to finally have a direction for me to go in with my art. I lacked direction when I wasn’t in university and it was something I was struggling with… not anymore! The only thing that I am really concerned about is that fact that everyone on the course is new to me, I’m kind of an outsider, which isn’t necessarily a bad thing because I want to solely focus on getting my degree this time around. I just wish that I didn’t have to be around so many people, it is a bit of a culture shock and isn’t making my anxiety any easier. I should really talk to them about it at some point.

Anyway, I’m getting a bit off track here, during the Illustrator session we were asked to create a face which a variety of different moveable facial features so that we could construct a range of expressions. I ended up creating a random character called broccoli- face and primarily focused on different eyes and eyebrows while keeping the rest of the face the same. Even though I only changed a couple of minor features, the results were far from minor. His facial expressions ranged from; angry to scared, from psychotic to painfully sad and just outright weird. I was amazed at how much difference the eyes could make, although it shouldn’t be too surprising as the eyes are the windows to the soul.

I am looking forward to the rest of the year and I am sure that I will find a way around my anxiety so that it doesn’t interfere with my work in anyway, I’m going to try and keep a low profile because I feel socially awkward around people and this is my last chance to get a degree with funding from Student Finance and I am determined to make the most of my time at uni.