Illustration Changes alot, What is Trending Now?

March 28, 2020March 29, 2020 | Rolo

Flat colour, clean vectors and a limited colour palette have been dominating the illustration scene throughout the 2010s, largely because of the rise in digital painting programs such as Photoshop. These designs take a ‘less is more’ approach that can add an air of sophistication to an illustration. A reduced colour palette also makes the illustrator think about the colours they are using.

A counter trend to the simplistic and colourful flat vector art is the resurgence of printmaking and traditional looking illustrations that has been occurring lately, much to my joy. Traditional looking illustrations add a uniqueness that seems to be missing from the flat, simplistic digital illustrations that dominated in the 2010s, many companies are turning to a more traditional looking approach that adds a certain warmth to the illustration and helps them to stand out from the crowd.

Another thing that has seen a rise in popularity recently is pieces that blur the lines between illustration and animation. As our attention spans get shorter and shorter, illustrators are having to find new ways to keep audiences engaged with their work. Things such as gifs, images that move are making the lines between animation and illustration even greyer.

Illustrated letters and typography are a trend that has been around for a while and is here to stay. While typefaces still have their uses, they just can’t blend an illustrative style into an image the same way that typography can. Illustrated letters make a blog of text stand out and add character to a page, illuminating the worlds that follow them.

While political statements might not be a trend for everyone, they still do play a huge part in illustration today. With all of the crazy things going on in the world right now, from Brexit to the re-elections in the US and everything else, many people are turning to illustration to express their views and deal with the current world crisis in their own way, be it through satirical art or otherwise, I expect that this trend is just going to grow even more throughout the course of 2020.

In the 2010s we finally started moving away from deplorable ‘body shaming’ and instead headed towards celebrating our personal and physical appearance. Many illustrators have been captured all of the different ways our bodies are perceived in imperfect and wacky ways. They have done this through wobbly lines, uneven brush strokes and odd proportions. An add on to this is the surge in inclusive art that has been becoming more prominent in the past year, people from all ages, backgrounds and lifestyles are coming forward in a multitude of visual styles. Illustration itself is becoming as in demand, if not more as photography within editorial illustration, so the demand for inclusive illustration is just going to get larger and hopefully it will be a trend that is here to stay.

With the rise of figures such as Greta Thunberg and David Attenborough who are fighting for our planet and making it mainstream, and also the increasing availability of eco-friendly products and meat alternatives, sustainable living is itself becoming a huge trend. This is translating into the illustration world too; more and more illustrators are tackling issues such as climate change and over consumption and urging us to live a more sustainable life and to do our part to save our home and the animals that live on it. This is a trend that I hope never goes away, and one that I too am a part of.

Maywst, R., 2016. Illustrative Lettering Process — Ray Mawst Lettering & Design. [online] Ray Mawst Lettering & Design. Available at: <http://www.raymawst.com/blog/2016/3/11/fosz1e117f33nrg3fvuqldwzzk1jmt> [Accessed 28 March 2020].

Barker, G., n.d. Trump Cartoon Boris. [online] UK Political Cartoonist Cartoons. Available at: <https://www.garybarker.co.uk/donald-trump-boris-cartoon.html> [Accessed 27 March 2020].

Byrd, T., 2019. Illustrating A More Inclusive Brand. [online] Medium. Available at: <https://medium.com/facebook-design-business-tools/illustrating-a-more-inclusive-brand-bbb4fa6c4bb3> [Accessed 28 March 2020].

Moran, L., 2019. Huffpost Is Now A Part Of Verizon Media. [online] Huffingtonpost.co.uk. Available at: <https://www.huffingtonpost.co.uk/entry/greta-thunberg-street-art-jody-thomas-bristol-upfest_n_5cdeb690e4b00735a915598e?ri18n=true> [Accessed 28 March 2020].

May, T., 2019. 10 Top Illustration Trends For 2020. [online] Creative Bloq. Available at: <https://www.creativebloq.com/features/illustration-trends-2020> [Accessed 28 March 2020].

Lee, E., 2018. Trends From The London Illustration Fair 2019 | Printed.Com Blog. [online] Printed.com Blog. Available at: <https://www.printed.com/blog/trends-london-illustration-fair-2019/> [Accessed 28 March 2020].

Digital Arts. 2020. 2020’S Best Up-And-Coming Illustrators. [online] Available at: <https://www.digitalartsonline.co.uk/features/illustration/illustrators-wholl-kick-off-2020s-in-style/> [Accessed 28 March 2020].

Technology Isn’t Always reliable. I Need to Make Timetables, But The LWL Project Has Been Handed In- A Review Of This Week

March 6, 2020March 24, 2020 | Rolo

It’s done, I’ve handed in now and there is no going back. I wish that I was better t managing my time because the past weekend and week have been draining. I left myself so much to do and didn’t even realise it until the last week of the project. My sketchbook was a bit behind; my layout was only half finished and my final front cover design hadn’t been put together. It was a mess. From the outside I look organised and my tutors seem to think that I am, but on the inside, I am screaming. Not literally but you get the point. I keep saying that I am going to make some sort of timetable or planner, anything to help me organise my time and I ironically never get the time to do it. Part of me thinks that I work best with the stress, and in some ways, I do, I do lots of work in a small amount of time and then rest. Some people do bits of work over a long period of time and I just can’t work like that. But, it would be handy to create myself a timetable that works for me, something that helps me plan which days I will work on the book illustrations, which days I will work on my blog and which days I will do coursework for college because right now I just feel stretched and a bit all over the place.

I have found out that as part of the final project, which is starting on a week or two, we will have to plan the whole project ourselves and will need to show it as a part of our process. This is similar to what I had to do during the final project of my level 3 course, and I managed to get distinction then. I know I have the capacity to be organised, it’s just difficult for me sometimes, especially since I largely plan things in my head and change my plans according to different circumstances. I guess this final project is going to be a test for me since it will force me to be more organised again and actually show it on paper.

Anyway, all that aside, I ended up working like a machine over the past weekend and week, I tried out a bunch of different layout designs, redrew Blanche for my front cover, created a new trippy background with soft pastels and put everything together. I then found out that I hadn’t scanned my images to a high enough dpi which resulted in them being pixelated when I printed, so I had to rescan my spot illustrations again, and the front cover design again to try and stop the final designs from being pixelated. This all worked at first, until I got to the final day of the project and tried printing everything to hand in and I once again discovered that parts of my final design were pixelated which was an absolute nightmare because there wasn’t much I could do about it at that point. This time I knew it wasn’t something to do with how I scanned them because I got my tutors to check my scans and they were fine. Something went wrong with the software, whether I edited it too much, moved the file around too much or I don’t know what, something went wrong in the software and it has kind of ruined my final double paged spread on hand in day. Sometimes I forget how unreliable computers and digital art can be. I had to hand it in anyway and hope that it doesn’t cost me any marks because my tutors know that it wasn’t my fault. I’m going to have to redo the design when it comes to putting the work in my portfolio because I can’t show potential clients a pixelated piece of work. As stressful as it was sometimes, I have thorughly enjoyed this project and it has given me an interest in Editorial Illustration that i didnt have before, I am even conisdering it as a potential career path.

I have an essay due on the 19th of March and I decided to focus on the LWL project first as the due date was sooner. I am off next week while the project gets marked so I will use that time to do all of my research for the essay and get a first draft written ready to show my tutors on the Monday, I will be fine.

I Am Not Organised, When Will I Learn? Also An Autobiography

February 28, 2020March 15, 2020 | Rolo

This has been an exceptionally busy week so far. I have primarily been focusing on designing and creating layouts for the double paged spread since I am so worried about how little time I have spent doing it so far Time is running out on this project and I need to manage my time better if I have any hope of completing everything on time.

I have refined my spot illustrations a but by separating the colour layer from the linework layer. I did this by drawing out the shape of the body parts on a piece of layout payer using brush pen and colouring them in with soft pastels on a piece of cartridge paper with a light pad. This will allow me to stitch the linework and colour together in Photoshop and will make the linework and the whole spot illustrations bolder overall as the pastel won’t blur the lines. I have been struggling quite a bit with how much the pastels smudge, they are a relatively new material for me to use and doing the linework and colour separately seems to be the only way I can combat the problem.

As far as the layout goes, I have decided that I want to have a full-page illustration on one page, with the text, headings, subheadings on the other page, with some other spot illustrations floating around the text. This is a similar layout to one used by Little White Lies in their Hidden Lives magazine issue and it inspired me quite a lot. For the full-page illustration, I was inspired by a particularly psychedelic scene in House where Kung-Fu is sucked through a lampshade and transported to some sort of weird, colourful dimension made up of colourful concentric circles. I decided to recreate this scene in my own way, having body parts swirling around in the vortex, rather than Kung-Fu because I feel as if using an entire person for a spot illustration would really blur the lines of what a spot illustration is supposed to be and wouldn’t really fit with how Little White Lies lays out their magazines.

Screenshot of Little White Lies draft layout

I have tried to be consistent with the materials I use for my spot illustrations, having used pastels for the colourful concentric circles design, the body parts and also the flowers because pastels seem to fit the messiness of House more than other materials and I want the texture of the spot illustrations to be the same since I am creating the design on the basis that it’s for a professional publication and it needs to be consistent for that. For the text page I used the eyedropper tool to sample colours from the full-page illustration and tried filling the text page with them to keep the colours consistent too. I settled on using the green colour as the background because it is lurid and creepy, while still looking nice and colourful which really fits with the overall tone of House. I used the actual text used on the House movie poster as placement text for the heading and filled it white because it seems to work best with the green and makes it look weirdly innocent, plus, Blanche the cat is white so it’s a nice nod to her. This isn’t going to be my final layout, but it does give me a good idea of what it is going to look like once I am done. I removed the outline on the flowers to contrast the boldness of the body parts illustrations on the previous page. I am quite happy with how much work I have done this week but there is still a long way to go. I need to refine my layout design and also do the same with the front cover. I am going to try separating the Blanche brush pen design from the trippy pastel background, similar to what I have done for these spot illustrations because I really want Blanche to stand out the most on the front over. I have quite a bit to do next week but I’m getting there. One day I will be good at managing my time instead of rushing around so much towards the end

Print, Prints and Printed- A Gallery of My Riso, Relief and Screen Prints

November 29, 2019December 11, 2019 | Rolo

This week has been a fun one, we’ve done so much printmaking, including printing an unexpected one-page zine on Monday. I kept with my Lovecraftian theme and created a bestiary of his monsters, I was really happy with the designs I drew, but the finished zine did not go to plan at all. I think I rushed the background a bit and I hadn’t done risograph printing before, so despite having researched the process, I wasn’t entirely sure how it would work in practice. I drew my monster sketches in pencil and scribbled the background in pen, which in hindsight wasn’t the best idea because when it came to printing the zine, the background overpowered my illustrations and the risograph printed wasn’t able to pick up much of the detail of my pencil sketches so the final zine looks like a bit of a mess. It was a good learning exercise though, at least I know that next time I riso print, I need to make my line work bolder and the background needs to be done in a lighter tone to the foreground.

The zines were only the first part of printing we did on Monday, in the afternoon we went to the print workshop to make our screens for screen printing the 2^nd of our designs. It cost £14 for the screens which is a bit on the high side for me because I’m having some money issues in the run up to Christmas, but after actually using the screen, I know it was a worthwhile investment because I can print that design as much as I want now and also change the screen and use the same frame for any other designs I make in the future. I managed to do a design that I am really happy with, it depicted one of Lovecraft’s monsters, a Mi-Go, perched over a power-plant and feeding off of its fumes. I chose to depict this because in Lovecraft lore, the Mi-Go awakens from its slumber when it gets warm and power plants heavily contribute to global warming. I wanted to show how horrible and horrific the world could be if it keeps heating up at the rate it is, using the Mi-go to depict the horrors of what life would be like in a scorching, desolate Earth. I’m once again not 100% certain if my illustration conveys the message that I want it to though, I know what it means, but I’m not convinced that other people will, they’d probably just a cool giant bug creature so when I do more designs this project I need to make the climate change and global warming message clearer, while still using Lovecraftian creatures so that I stick to the theme that I’ve chosen for this project.

Sketched in pencil, refined in Illustrator and finished in Photoshop.
I screen-printed this design on to 200gsm paper.

Relief printed with an acrylic block and ink and put through a roller press.

I had to send my first design back off to the wood workshop place to be re- laser cut because I made a mistake with the formatting when I send it off the first time (no surprises there) so some of my design was missing from the acrylic plate, this all got sorted by Thursday though so I managed to create a lot of prints of both of the designs. I’ll post photos of the prints next week once the ink has all dried. I’ve thoroughly enjoyed printing so far, I’m just not sure about risograph printing yet, probably because it is the one that went the worst for me. I totally get the appeal of risograph printing, it’s so easy to create a huge run of prints, I just haven’t quite figured out how to make the process work for me yet, hopefully over the weekend I’ll be able to create a design that works because we are creating an A3 riso-print on Monday. It’d be great if I had another design to add to my permanent print collection. I already have some ideas of what I’m going to depict, I plan on showing a modern polluted and poisoned world with buildings that everyone should be able to recognise, inspired by Lovecraft’s short story ‘The Colour Out of Space’, I’ll leave a link to the story on this post. I’m hoping that I can make my message clear this time, hopefully 3^rd time’s the charm.

http://www.hplovecraft.com/writings/texts/fiction/cs.aspx

Tutorial Week

October 24, 2019December 2, 2019 | Rolo

Over the weekend, ahead of tutorial that I felt was looming over me, worrying that I had not done enough, I finally decided to make a proper start on my character development board. Had it not taken me so long to refine my Skaadi poses, I probably would have started them sooner. Nevertheless, I made a start on the first board, I displayed both the refined Skaadi dynamic pose and the side pose, alongside her small arsenal of weapons and her treasured necklace; for the text I decided to show Skaadi’s character profile, rather than the whole story because I wanted the board to be just about her. After much deliberation and minor alterations, I just couldn’t get the layout to look professional, my illustrations looked a bit haphazardly placed and the board didn’t look neat. In hindsight I probably should have spent more time looking at how other Illustrators laid out their character boards; but I was running out of time and panicking, I really wanted to have something to show my tutors for when my tutorial came on the fast approaching Monday.

**My first attempt at creating a character board**.

CareHere. (2019). *Featured App-Stop, Breathe & Think*. [online] Available at: https://carehere.com/stop-breath-think/ [Accessed 24 Oct. 2019].

Monday came and my time was up, I had to go in and face the tutorial. When I got there, Sarah (one of my tutors) was surprisingly happy with the amount of work I had done over the week off and offered me some guidance on how I could improve the layout of my development board, things such as making the character profile categories stand out from the rest of the text and laying out all of my illustrations so that they formed a straight line across the centre of the board; this is something that was mentioned to the class earlier in the project but I guess it slipped my mind, I do have trouble focusing on what is being said to me, primarily when the tutors are speaking to the whole class, my mind tends to wander off. It is paramount that I work on being present in the moment when I am in class because I won’t always get the chance to speak to my tutors one to one, I can’t avoid group talks and class conversations, and while I can’t help getting a bit anxious and close in on myself in those environments, there are ways I can improve it. Perhaps I could try mindfulness again, I used to sometimes use the Stop, Breath & Think app which did help, i’ve heard the Headspace app is a really good one to use too, maybe I could try it and share my thoughts on whether it works for me.

**Skaadi’s legs just don’t look right.**

Anyway, getting a bit off topic, as well as talking about my character board, we also talked about my final illustration, more specifically, how the dynamic Skaadi illustration would fit into the environment that I created over the weekend. After placing Skaadi into the environment it became rather clear that she didn’t quite make sense in the piece, it was pointed out to me that her legs were facing the wrong direction as they should be leading the viewer up the path; I had kept her legs side on in the hope that I wouldn’t need to change a pose that I had spent so much time on refining. It has been a few days since my tutorial and I am still struggling to change the position of her legs and I’m growing increasingly worried that I might have to change her whole body in order for my final illustration to make sense, a task that I’m not sure I have time left to do as the deadline for this project is only a week away. I’m going to try and get my girlfriend to act out the same dynamic pose as before, but with her legs in a different position so that I have some good first hand reference images to get a better idea of how I should draw Skaadi’s legs in a such a way that she is leading the audience up the path. I really hope that I am able to achieve this over the coming weekend so that I can focus on finalising the overall illustration and finishing the character boards from Monday. If not, I will have to redraw her whole body which could trip me up on the last hurdle of the project, watch this space.

The Dreaded Week Off

October 17, 2019December 2, 2019 | Rolo

Surprisingly, this week has went a lot better than I thought it would. At the start of the week I felt slightly lost and had no idea how to bring some life to Skaadi, she looked good but was missing heart and fire, her eyes looked soulless and plain. However, after a lot of experimentation and watching a plethora YouTube tutorials on Photoshop processes I have finally created Skaadi as I saw her in my head, sure there are still a few small kinks and details to sort out, but overall, I am much happier with how she looks now.

I primarily focused on fully developing the Skaadi dynamic pose as this is the one that I plan to use when I create my final comic book panel which will depict Skaadi defending her forest home. Throughout this project I had the idea of showing Skaadi inside the beautiful forest in which she resides for my final outcome, however, over the past week or two I came to the conclusion that this would be too bright and happy and it wouldn’t show the depth and darkness within the story that I wrote, it also wouldn’t portray my protagonist as the complex and conflicted character that she is.

I spoke to one of my tutors last week and she pointed out that Skaadi was currently looking quite normal, when she isn’t, she has a much darker demon side and there is endless conflict within her world which just wasn’t showing in the illustrations I had done so far. To tackle this problem, I have decided to depict Skaadi standing in the blasted heath that I describe in the story, protecting the forest she calls home. I hope that choosing this landscape will reveal a glimpse of how dark and distressing her life can be. I’m not certain that this change of setting will be enough though, Skaadi herself will still look the same, just in a different place, I think I need to show her demon face somewhere on my final hand ins. Physically showing her other side in all of its maniacal glory would most likely solve this issue. I guess I could show the expressions I drew of her (including her demon face) on one of my development boards. Speaking of which I’m not too sure how I am going to tackle the development boards as such because I have primarily been focusing on what the final standalone illustration will look like, I need to improve my ability to spread my focus and attention across all aspects of the project.

Dvorsky, J. (2019). *The Blasted Heath | The Pnakotic Atlas*. [online] The Pnakotic Atlas. Available at: https://pnakoticatlas.com/places/97/the-blasted-heath [Accessed 17 Oct. 2019].

But even all this was not so bad as the blasted heath. I knew it the moment I came upon it at the bottom of a spacious valley; for no other name could fit such a thing, or any other thing fit such a name.
H.P. Lovecraft- The Colour Out of Space

I feel as if my time management and focus has been a bit off this project, I want to blame it on the fact that I haven’t done a course for a long time, however I don’t feel like this is good enough an excuse. Other than a few notes, both mental and paper, I didn’t really set myself an official timetable for this project which is starting to bite me in the behind a bit now; when I do future projects, I should try to write up a timetable, even if it is a loose one of how and when I am going to tackle each aspect of the project. I think this would be greatly beneficial to me as it would help me to organise my time better and would make me feel less scatter-brained.

Skaadi Returns!

October 4, 2019December 2, 2019 | Rolo

After a week of absolute manic panic, I handed in the Fat Lass Preserves Project, which, to me went really well and I am happy enough with the final outcome. I have finally gotten back to doing the project I really enjoy doing, the Skaadi Project. Unsurprisingly, my fat lass design didn’t get picked by the company owner, which to be quite honest, doesn’t bother me because it was the first time I have ever attempted to draw and finish a larger person, so it was always going to be a learning curve, yet I am definitely feeling more confident about drawing larger characters again in the future and also in my ability to create plus size characters of my own.

Initial plus-size superhero sketch.
Developed version of my plus-size superhero sketch.
Final version of the Fat Lass superhero

This week I have focused on digitising one of my dynamic Skaadi sketches to put on to an A2 development board that we have been asked to create as part of our final outcomes. I sketched out a variety of character poses last week during the fat lass project; they were really rough and sketchy and didn’t really look like Skaadi at all. To rectify this, I scanned the sketches on to a computer and opened them in Adobe Illustrator, I then used the pen and pencil tools to trace over the line work, while slightly changing the proportions of the Skaadi sketches to fit how I see Skaadi in my minds-eye. Once I had the line work I proceeded to colour Skaadi in Illustrator using the paintbrush tool, I decided to focus on colouring the dynamic pose because I am really happy with the proportions and I am considering using the dynamic pose on my final comic panel. I took photos of my girlfriend to use as reference for each of thew poses because I am still getting used to drawing humanoid characters and having first hand reference really helps me figure out the proportions of my characters.

I found colouring Skaadi with the paintbrush tool very awkward and fiddly, it was extremely time consuming to just create a basic fill layer, whereas I know that in photoshop, it is possible to fill entire areas with simply one click. It wasn’t until today (Thursday) that I found out from my tutor that there is a much easier way to fill colour in illustrator and also that we don’t actually have to complete the whole design in Illustrator, I was under the impression that it was an Illustrator project based on the content of the computer sessions so far. I guess I could have found out differently earlier if I had found the confidence to outwardly ask for help. Nevertheless, I will be using Photoshop to colour my designs in the future from now on and I will keep to Illustrator for the linework. I’ll probably take the dynamic Skaadi pose over to Photoshop as well because, while I am happy with the pose, proportions and the colour choices I have made, I am just not satisfied with her face and she looks rather flat, I feel as if it will be a lot easier to add highlights and shadows in Photoshop.

Overall, I am rather happy with my progress on the project so far, as well as how I have chosen to manage my time, especially without the support of my tutors, having been on a reading week. I definitely need to work on my confidence and anxiety, I should ask for help and information when I need it instead of just struggling unnecessarily for ages. I am so pleased to be working on the Skaadi project now and my character is finally starting to come take some sort of shape, I’m aware that time is running out to do this project but now that I know we can use Photoshop as well as Illustrator, I am fairly confident that things are only going to get better from here.

Castle Chickenstein

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