The Printed Project Hand In

Save The Koalas Black And White Variant.

I had a bit of a stressful week the past week when it came to getting my prints ready to hand in, the screenprinting process wasn’t as easy as I thought it would be. Printing two colours is definitely a lot harder than one because you’ve got to perfectly line up each colour layer. I originally made the mistake of screenprinting the black layer before the orange layer, so when I tried to print colour over the black, parts of the design just got enveloped in the void. It also became a lot harder to line up each layer and I ended up creating a lot of offset prints. The same thing happened a while ago with risograph printing, but I was certain that the problem woudn’t be repeated with screenprinting, I was wrong. I kept getting unlucky with mesh screens too, both of the ones I used had marks on them which stopped my design being transferred properly, so whenever I tried printing a layer, a small part of my design was missing, a problem I just had to work with. Nevertheless, something good did come out of printing the black layer first, I realised just how good the design looks on it’s own without colour and all of a sudden I had two different print variations I could sell to raise money for the Australian Bushfire support. I still needed to create the colour prints that I originally set out to create to make my project successful so I started a different series of prints where I printed the orange layer first and then the black one on top; it was a lot easier to line up the colour layers this way so the 2nd batch of prints ended up having a lot less offset which I was finally happy with.

This project has been a huge eye opener for me, there were times during screenprinting where I wished I had just let the risograph machine do the work for me, it would have been a lot quicker and potentially easier than manually lining up each layer. But I would’ve definitely got an offset with the risograph machine, no matter how quick it is, at least with screenprinting I have more control over how much offset my prints are. I can unequivocally say that I will do screenprinting again in the future and hopefully, with a lot of practice, the process will be even more successful next time. Overall the quality of prints could be better, but they could also be a lot worse and I still intend to try and sell the prints I have on Etsy to raise money for WWF Australia which is what their original purpose was, so ultimately I think I have done a good jo this project, no matter what grade I end up getting. I have handed in the project now so I guess all I can do is wait and see what grade I get, I’d be lying if I said I wasn’t a bit worried because the prints didn’t turn out perfectly, there are some inconsistencies and the brief asked for 10 perfect prints which I haven’t really achieved. I can always fix the inconsistencies manually with a paintbrush when it comes to sellng them so that they are of a high quality, but it wasn’t something I could do before handing them in because in a way it would be cheating and my tutors had already seen the inconsistencies so they’d know if I fixed them before handing in. I just hope the fact that the meshes I used were fault doesn’t affect my grade because it was completey out of my control. Agh.

On a slightly less stressful note, I think… we’re off for the next week again while the print projects get marked and once again we have been given a task to complete we return. This time we have been asked to create a cute character and enter it into the Pictoplasma #2Cute2Fail competition, now if you follow my art then you’ll know that I don’t really do cute, more creepy and macabre so this is definitely going to be a bit of a challenge for me. I’m up for it though, it’s never a bad thing being taken out of your comfort zone so I’ll do my best to create a super cute character, though I can’t guarantee it won’t be a bit on the creepy side.

Save The Koalas

It’s been just over a week since I returned from my holidays in Poland and Edinburgh, and after spending 3 weeks away from the course, I have been finding it quite difficult to readjust to university life. I didn’t draw enough when I was away, instead I focused on going to galleries and exhibitions in Poland so that I could try and get some more inspiration for where my project and coursework is going to go next, as well as enjoying myself because hey, it was Christmas and new year’s. While the time away was really nice, it has meant that it’s taking me a while to get back into the flow of things, when I returned, I wasn’t really sure what I was going to do for my final print, despite seeing so much amazing art abroad. It wasn’t until I was scrolling through Facebook and watching the news at home that an idea hit me horribly, the Australian bushfire crisis.

Please donate to help save the animals in Australia!- https://support.wwf.org.uk/australia-bushfires

So far during the print project, I have been creating art that tackles topics such as climate change and pollution, two things that are having a horrific impact on our world and wildlife, yet to me, aren’t being tackled enough. I wanted to try and change that, not necessarily on a large scale, I have to be realistic, but if I could reach just one person with my art it would be something. Having tackled these issues so far on the project, it was obvious to me that I needed to stick to similar themes when it came to be designing my final print, I just wasn’t sure what issue to tackle, there are unfortunately so many. For a while I considered tackling the meat industry, but this seemed too hypocritical as I was still eating meat, albeit little, at the time. I have stopped eating meat fully now and have for the past week, but still, I didn’t feel as if it is enough to start hitting the meat industry now. When I saw the horrors of the bushfires and just how much of the environment is being destroyed and how many animals are being killed, it made me feel sick to my core, it’s so upsetting that (at the time of writing) one billion animals have been affected. Having loved animals and nature since I was a child, sometimes more than humans, this topic hit close to heart and I just knew that I had to try and do something to help.

Now that I had an idea of what I was going to illustrate with my final print, I started sketching ideas of just how I could show the Australian bushfires and the impact that they are having. I made a few rough thumbnail sketches in pencil to get out some of my ideas which included:

  • The world being consumed by fire with a koala’s face emerging out in fear because the bushfires are the latest of the wildfires that have devastated the planet in the past year.
  • A Donald Trump earth laughing at the fires while a koala fell off the face of the earth, symbolising the risk of the koalas going extinct and just how little Trump cares about the environment (I thought this might be a bit too political so I didn’t take this idea forward)
  • A koala’s face on the Earth as it melted away in the flames, which would show the impact of climate change and how it is causing the ice caps to melt, as well as the impact the fires are having on the koalas.
The sketch I decided to take forward.

All of these ideas seemed a bit too wide, they focused on the entire world, rather than just the area and the animals that are being affected by the fires, on previous projects I did focus on showing the environmental impact of climate change, but I haven’t really focused on the impact it is having on its inhabitants, with one billion animals being affected by the horrific blaze, this time needed to be different, the animals needed the centre stage. I kept the idea of having the flames framing the illustration, but instead of showing the whole Earth, I drew a lonely koala clinging to a tree for dear life amongst the oncoming flames I showed my sketches to a few people to get their opinion and to find out which one they thought would get the most attention, and they agreed that the lone koala in the tree was the saddest of the sketches and would get more of a reaction from the wider public.

Digital Koala Development

With the design picked, I developed the thumbnail sketch further by drawing it out in a larger scale in an a4 sketchbook before scanning it onto my laptop and going over the line work and colouring it in Illustrator/ Photoshop so that it looked more professional ahead of college on fast approaching Thursday. My tutors liked the design but pointed out that I had two styles going on at once, with the fire and text being done in one style and the koala being done in another. I had struggled with how to depict the koala, I went with a rather realistic approach because I didn’t want to do a cutesy cartoon koala that would take away from the seriousness of the situation, but the realism clashed with the rest of the piece so I agreed that I needed to redesign the koala. The problem I was having is that the koala isn’t a monster, it’s a victim and up until that point on the project I had been depicting climate change in the form of Lovecraftian creatures attacking the planet and reclaiming their home. This time however I was trying to show how vulnerable the animals in Australia are right now, they needed to be cute and upsetting, to evoke feelings of sadness and vulnerability so that people would do their best to help them.  I redraw the koala 3 or 4 times before I finally came up with a design that felt right.

I looked at Australian aboriginal paintings of koalas as a source of inspiration which really helped me to figure out how to show the koala without making it too realistic. Unfortunately, I didn’t get the design right until the end of the day on Thursday, meaning that it was too late to send my design off to be prepared for print, which means that I am going to have to wait until next week to do this and come into college on a day that I am not scheduled to be in so that I can finish the project before the deadline next Thursday. This is fine for me though because I want to raise more money for charities to help save the animals in Australia, no matter what, and in order to do that, I need the prints. I just really hope that I am able to get everything done in time and that people do buy the prints when I try and sell them, this is the only way I know to raise money for the charities without having much reach in the field of illustration.

Final print design

Disclaimer; I am aware that Koalas are only one of the thousands of species that are being affected by the bushfires and I am not ignoring their struggle, but koalas are more well known and loved by many so I feel that they will help to get the attention of more people, which means that I have more chance of selling the prints and donating the proceeds to charities that are fighting to save all of the animals that are being affected by the wildfires.