Print, Prints and Printed- A Gallery of My Riso, Relief and Screen Prints

This week has been a fun one, we’ve done so much printmaking, including printing an unexpected one-page zine on Monday. I kept with my Lovecraftian theme and created a bestiary of his monsters, I was really happy with the designs I drew, but the finished zine did not go to plan at all. I think I rushed the background a bit and I hadn’t done risograph printing before, so despite having researched the process, I wasn’t entirely sure how it would work in practice. I drew my monster sketches in pencil and scribbled the background in pen, which in hindsight wasn’t the best idea because when it came to printing the zine, the background overpowered my illustrations and the risograph printed wasn’t able to pick up much of the detail of my pencil sketches so the final zine looks like a bit of a mess. It was a good learning exercise though, at least I know that next time I riso print, I need to make my line work bolder and the background needs to be done in a lighter tone to the foreground.

The zines were only the first part of printing we did on Monday, in the afternoon we went to the print workshop to make our screens for screen printing the 2nd of our designs. It cost £14 for the screens which is a bit on the high side for me because I’m having some money issues in the run up to Christmas, but after actually using the screen, I know it was a worthwhile investment because I can print that design as much as I want now and also change the screen and use the same frame for any other designs I make in the future. I managed to do a design that I am really happy with, it depicted one of Lovecraft’s monsters, a Mi-Go, perched over a power-plant and feeding off of its fumes. I chose to depict this because in Lovecraft lore, the Mi-Go awakens from its slumber when it gets warm and power plants heavily contribute to global warming. I wanted to show how horrible and horrific the world could be if it keeps heating up at the rate it is, using the Mi-go to depict the horrors of what life would be like in a scorching, desolate Earth. I’m once again not 100% certain if my illustration conveys the message that I want it to though, I know what it means, but I’m not convinced that other people will, they’d probably just a cool giant bug creature so when I do more designs this project I need to make the climate change and global warming message clearer, while still using Lovecraftian creatures so that I stick to the theme that I’ve chosen for this project.

Relief printed with an acrylic block and ink and put through a roller press.

I had to send my first design back off to the wood workshop place to be re- laser cut because I made a mistake with the formatting when I send it off the first time (no surprises there) so some of my design was missing from the acrylic plate, this all got sorted by Thursday though so I managed to create a lot of prints of both of the designs. I’ll post photos of the prints next week once the ink has all dried. I’ve thoroughly enjoyed printing so far, I’m just not sure about risograph printing yet, probably because it is the one that went the worst for me. I totally get the appeal of risograph printing, it’s so easy to create a huge run of prints, I just haven’t quite figured out how to make the process work for me yet, hopefully over the weekend I’ll be able to create a design that works because we are creating an A3 riso-print on Monday. It’d be great if I had another design to add to my permanent print collection. I already have some ideas of what I’m going to depict, I plan on showing a modern polluted and poisoned world with buildings that everyone should be able to recognise, inspired by Lovecraft’s short story ‘The Colour Out of Space’, I’ll leave a link to the story on this post. I’m hoping that I can make my message clear this time, hopefully 3rd time’s the charm.

http://www.hplovecraft.com/writings/texts/fiction/cs.aspx

Fat Lass Preserves

This week came as a bit of a shock to me, after focusing on developing my personal comic project for so long now and with November quickly approaching, we have been thrown completely off the tracks with a new project that is due by Monday. The tutors did mention that we would be given a live brief at some point, but I didn’t think it would happen this quickly or that we would have so little time to do it. The brief we have been given is to redesign a confident, plus size superhero that will become the logo for a local company called ‘Fat Lass Preserves’ that sells jams, chutneys and other preserves. We have been asked to do this because the image that the owner of the company is currently using is technically protected by copyright as it depicts a large version of Wonder Woman which she isn’t really allowed to use. One person from the class will have their logo chosen, receive money for designing the logo and it will be featured on local TV, so while this project temporarily throws a spanner into the works of my other project, it is a great opportunity.

Fat Lass Preserves Current Logo: Deane, B. (2019). Artisan preserves with a modern twist. [online] Fat Lass Preserves. Available at: https://fatlasspreserves.co.uk/ [Accessed 27 Sep. 2019].

Nevertheless, I am finding it extremely difficult to complete this project because I am so invested in the ongoing personal project and find it slightly challenging to just jump from one project to another and back, however, I know that this will provide me with valuable experience for when I become a professional Illustrator.  As well as this, I am still developing my ability to draw humanoid characters and designing a plus size character creates a new set of challenges for me, such as, the muscle definition is not as visible on plus size characters which makes it more difficult to know where each muscular element should be. So far, I have primarily been using anatomy books as reference for human proportions which don’t necessarily focus on the proportions of plus size people, who often have different proportions to the average human being.   It is because of these things that I have never really tried to draw a plus size humanoid character thus far, I am however looking forward to the challenge in the hope that it will help me to develop my illustration practice further. While I have struggled with the transition from one project to another, I know that this project is good training for real world scenarios, because when I am a professional Illustrator, I will rarely get to choose what kind of character I design and I’ll also probably have a short timeframe to complete any project that is given to me, as well as multiple ongoing project at once.  This project is providing me with a dose of reality and should help me get a better idea of what it will be like to be a professional illustrator in the future.

So far, I have attempted to draw a confident fat female superhero in 3 different poses, including the pose that the commissioner really likes, and so far, all of which I feel need improvement.  I researched the company to get an idea of what their ethics were and what kind of imagery and colours I should use for the costume and I have come up with a pretty solid idea of what I want the finished design to look like, I am just finding it unbelievably difficult to turn that idea into reality. It is currently Thursday, and I have until Monday to finish this. Help.

Fat Lass Preserves Pose 3